Budget digicams and camera phones come with little to no control over any of the image capturing process. My daughter's Kodak EasyShare CX6200 is a good example. It is a fixed-focus camera with two modes: still capture, and motion capture (movie mode without sound). |
A key feature to the reef tank photographer is a macro mode, which of course, this camera does not have. Earlier we saw that macro mode works by changing the focal point of the integrated lense. We can use this information to our advantage.
Photographers typically refer to this magnifying glass as a dioptre, or close-up filter. Some manufacturers offer this as an add-on accessory. Some are available from third-party manufactures. Most of these have optical coatings and fittings that minimize the negative effects associated with adding extra glass to a lense. In the worst case scenario, a magnifying glass will also do the trick. The key is to hold it as close to the lense as possible and keep the magnifying lense parallel to the front lense element.
We could also get the same effect turning off all light so there is no ambient lighting. Set the camera on a tripod, activate the timer, and as soon as it counts down to 0, fire the strobe. A third way to achieve lighting effects is to use a positionable halogen lamp as a hotlight. Make sure it is the only source of light to make white balancing easier. Two adjustable lamps can help with lighting ratios.
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